![]() His bubbly and brusk soul has not become jagged, but rather aged like good, cheap Cutty Sark. Consequently, the raps are inspired by the notion of understatement. On “Perfecto” and “Small Worlds,” Miller is aptly fed up with himself and his neurotic tendencies, while in the same breath he’s trying to talk himself off an anxious cliff. The record deals in cool colors and the pacing is the closest we get to heat, allowing his emotions to stew and swirl just as well as they spiral down the ocean rift.Ī lot of the emotion on the album is thusly submerged. These are the overt vocal ebbs and flows from which Swimming steers away. ![]() In the context of the record, that may well be his truth (“ I get more peace at slow speeds,” he raps on “Small Worlds”), but the truth still has the capacity to play as disconcerting.īy contrast, recall 2015’s GO:OD AM, and the superb job “When In Rome” does of resetting the pacing of the album before leading us into “ROS,” a stunning piano ballad. “Conversation” becomes a pain point simply because the springy delivery leads us to believe Mac is gearing up to blow off the steam built up across the eight preceding cuts, but as we know, the exhale never comes. The album does not necessarily suffer from a lack of features or the proverbial banger, but there are moments where Swimming is decidedly on the cusp of release and never makes the leap forward.
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